Why Photography Businesses Fail Within 5 Years

…And How to Make Sure Yours Doesn’t

LET’S FOCUS ON THE BIG PICTURE…Why Do Photography Businesses Fail

The stats that no one in our industry *really* wants to talk about:

Most photography businesses fail within the first five years.

I’ll tell you the truth. It’s NOT because these photographers lack talent – in fact some are incredibly talented with a beautiful eye for detail and nuance.

It’s NOT because there isn’t demand for professional photography – the demand is never-ending (or so it feels).

They fail because passion, a good camera and a Facebook page do not a business make. What these “businesses” do is that they make an expensive hobby (or charity) that occasionally funds itself.

You’re reading this because you’re either:

  • Already struggling and wondering “why this is so much harder” than you thought it should be, after all everyone in your circle raves about your talent
  • Smart enough to want to avoid becoming another “closing my business” announcement on social media like your online friend who started their business across the country right around the same time you did
  • Or maybe you’re struggling like crazy to balance life, business and the hustle of it all. You’re maybe somewhere in between those two stages: hustling like crazy, stressed out, frazzled, starting to get annoyed at the business you WANTED so badly but frantic because you aren’t seeing those profits you expected

The raw truth? Photography business failure follows an all-too-predictable pattern. The timeline looks remarkably similar whether you’re in Chicago or Charleston, in Ames, Iowa or Auburn, Washington shooting newborns or high school seniors. The good news? If you are recognizing the issue – you can break it.

Let’s step back and focus on the big picture – the lifecycle of a business in failure: from excited launch to exhausted crash landing. Because once you see it, you can’t unsee it. And hopefully, you will be able to avoid it.

The Predictable Photography Business Failure Timeline

Year 1: The Honeymoon Phase

Credit to AI with some keywords taken from this article.

It’s happened, FINALLY! You bought the “good camera.” You’ve taken some classes (maybe). You jumped through the small hurdle and created a Facebook page. You’ve photographed your friend’s (and THEIR friend’s kids!) for free to “build your portfolio.” Everyone raved. You’re feeling confident. You’ve gotten quite a few “You should start a business!” comments.

You are on cloud 9!

…That’s it, now it’s time to charge money, like real cold hard cash. Your first paying clients? More friends, more family! Then their friends. Someone from your daughter’s preschool. Word spreads in your immediate circle. You’re booking sessions! This is working! Photography is so much fun when people are paying you to do what you love! It’s so heady, so exhilirating. Who knew that YOU would be running a business someday??! It’s fall season of your first year in business and things are BUSTL-ING! You’re so busy, hardly have time to even pick up your youngest from preschool (let’s be honest you forgot amidst the pile of editing you have in your “office” – aka the dining room). You are so incredibly grateful to be pulling in money! An extra $175 per session. “Wow, I can’t believe people are paying me to do what I love!”

Buuuuuut…you haven’t calculated any actual costs yet. You? You’re just riding the high that money is coming in. I’ll be honest: it feels incredible to know that YOU are creating a money flow. You feel totally justified in buying that extra 50/1.4 lens now, it’s the mark of you being *really* good and it’s the lens you use for everything. That gear you bought (that your husband/partner rolled their eyes over) feels justified now.

You’re a “professional photographer” – and it feels amazing.

Year 2: The Reality Check

Slow season happened – it’s now the spring and…mostly CRICKETS. Except for a few inquiries wanting to price haggle and “get the farm for nothing.”

Credit to AI with some keywords taken from this article.

Those tried-and-true friend referrals? Totally slowing down. Your immediate circle has all been photographed. You realize “Uh oh, I need to find NEW clients who don’t know me personally!” Turns out, that’s much harder than you expected it to be.

You start doing the math. That $175 session? After you tracked your time (15-20 hours start to finish), subtract your expenses, account for taxes… you made way less than the $7.25/hour minimum wage in your state. Turns out (GULP) you’re making negative dollars per hour, it’s like you literally paid THEM to let you photograph their family.

You wonder how can that be…and you run those numbers again, and again. You go online to see if there’s any resources to double check this for you…nope, that number is even lower because it accounted for things like “depreciation” (what the heck is that?). You feel overwhelmed. You close the laptop and go do the dishes and some laundry because you know you’ve been neglecting the house in all of this.

The reality comes into focus for you: you’re working way more than you expected for way less money than you thought. The “passion” is actually feeling like a grind. You’re doing the hustling but turns out you were making more money at your old job…a lot more money! You are really resenting those clients who haggle. You’re tired of the “can you just do a quick session for me?” requests, especially from friends who invite you to parties and ask you to bring your camera. Thosee compliments that used to fuel you? Eh, they now feel hollow especially when you look at your numbers and that bank account that isn’t as full as you imagined it should be.

Most photographers drastically underestimate the time they spend on each client and overestimate their actual earnings. This calculator reveals your TRUE hourly rate after accounting for all your time, expenses, and taxes.

Years 3-5: The Slow Death

This is where it gets really uncomfortable and you dread even picking up the camera…to even photograph your own kids! Ugh.

You have two paths from here:

Credit to AI with some keywords taken from this article.

Path 1: You Quit 
You post the “closing my business” announcement. You can post some version of: “After much consideration, I’ve decided to step away from photography to focus on family/other priorities.” You sell all your gear on Facebook Marketplace.

You comfort yourself by telling yourself it was great while it lasted, it’s a good learning experience. You move on.

Path 2: You Become a Zombie Business
You don’t officially quit, but you’ve cut every corner imaginable. You’ve stopped investing in education. Your gear is outdated and breaking, that 50/1.4 lens is on its’ last legs, you covet a new camera but you can’t imagine having the $2700 to get that new “better” camera your eye is on. You rush through sessions and edits because you 1) need the volume to survive but 2) more importantly: you hate every bit of what your business has become.

You’ve become bitter. Your work suffers. Your reputation tanks.

Eventually, you fade into irrelevance or quit anyway—but with a damaged reputation and photography related credit card debt.

Either way? The business failed. The dream died. And you’re left wondering what went wrong.

The 5 Reasons Photography Businesses Fail

Let’s get specific about WHY this pattern repeats so predictably. If you understand the reasons, you can maybe fix them – or avoid them entirely.

Reason #1: Photographers That Never Learn to Price for Profit

My own Honeymoon Phase – taken just after a year in business. Nearly two decades after this image was taken (2006)…MP is still here. My Honeymoon Phase was followed by a Growth Period due to a commitment to consistency, art and business.

This is the big one. The killer. The reason that touches almost every small business failure, it’s not just photography small businesses that can suffer this fate.

Remember that $175 senior session we broke down in the Custom Photography article? After expenses and time investment, that photographer was making $8.17/hour. Below minimum wage for their state. And that’s operating under a big assumption that nothing went wrong, there were no client requested revisions, that there was zero gear failures.

Or the mini session disaster we recently read about in a Facebook group: a photographer spending “close to $300” on props and backgrounds, offering 30% off additionally purchased digitals, 15% off prints, $25 to charity, giving away 5 images for referrals—and only booking 2 of 20 spots. The math doesn’t math.

Do you see a pattern of overpromising and undercharging? As a solo mom and pop operation you’ll be VERY hard pressed to volume your way out of underpricing to achieve sustainable profit. The likely outcome? You’ll just burn out faster.

When photographers compete on price, they aren’t out there building sustainable businesses – they’re all participating in a race to the bottom. And guess what? Even if you “win” that race, the prize is working yourself into exhaustion for poverty wages.

Recently (just last night actually) I read a post in a photographer forum that lamented about their own “$195 mini sessions, 30 minutes, custom built backdrop in beige tones set, 5 digital images, up to five people” holiday sessions not even booking one client.

…in the comments: “There’s a lot of $35-45 mini session photographers”, “A lot of us “more expensive” photographers aren’t booking”, “You’re in good company”…and on an on. You get the gist.

It’s a race to the bottom folks unless you do the work behind the scenes and build an actual business.

Because the photographers who survive – they’re the business owners who understand their actual costs of doing business. They track their real time investment and price accordingly. They’re definitely not the cheapest BUT they’re the most sustainable.

Reason #2: They’re Taking Advice from the Wrong People

You’ll hear me repeat this over&over&over again: “The blind leading the blind phenomenon is REAL in photography.”

Because it’s true and it bears repeating.

You’ve seen it in Facebook groups: “Just booked my first senior session! Charging $175 for session + digitals. Is that too much?” And 20 other photographers chime in: “That’s about right for starting out!” “I charge $150, so you’re good!”

Nobody’s doing the actual math. Nobody’s profitable. But everyone’s confidently giving advice anyway.

Then there are the Rock Stars – photographers with huge Instagram followings, the ones with extraordinary, gorgeous IG feeds, teaching workshops on how to edit like them. YES! Their work is stunning! But look closer with a discerning eye: their portfolio is chock full of model sessions and stylized shoots. They’re producing outstanding work but they’re (very likely) not actually running a profitable client-based business. What they’re running a “teach photographers” business is well and good and all but let’s be honest: they’re making money selling YOU the dream, not serving up actual photography to real, breathing client families.

Does that matter? Uhhhh…yeah…if you’re looking to sell photos to families it matters. If you’re looking to copy someone’s editing style or learn how they do it so you can adapt to new editing techniques…well then more power to you…AS LONG AS YOU UNDERSTAND WHAT YOU’RE GETTING. Frankly business workshops are far less sexy (until you see your profit margins, of course, than yeah, it’s hella sexy!)

Meanwhile, your friends and family mean well, but “don’t charge an arm and a leg so more people can afford you” isn’t business advice – it’s their discomfort with you valuing yourself.

The photographers who survive? They seek guidance from ROCKS not Rock Stars—established professionals who’ve been in business 5+ years, still book real paying clients, and can show you the business fundamentals that actually work.

Reason #3: They Compete on the Wrong Things

Props. Sets. Being “affordable.” Giving away free sessions for every charity request.

We will be documenting this in our upcoming case studies and we touched upon it here in a client-centric article:

  • Photographer spending $300+ redesigning mini session sets annually, only booking 2 of 20 spots, while Facebook groups cheer on the spending – photographers vying for most aesthetic mini session backdrop but with zero bookings – make it make sense
  • Those same photographers seemingly in a silent competition with one another on who can give away the most for the least amount of money

Meanwhile, the photographer who’s selling out her Santa sessions? She’s selling the SANTA—”the most realistic, jolly Santa on the XYZ Coast!” The set is secondary. She’s a skilled photographer with solid technical work and she’s positioned her offering around experience and quality, not props and discounts. $100 for 5 minutes, one shot, one digital image with the “best” Santa. Sold out of every mini session experience she’s offering. And the numbers add up (just to prove I’m not just sh!tting on cheaper pricing – it is a lot of work and if you position it right it can prove to be fairly lucrative for the small business owner…)

But we aren’t talking what’s sustainable for the moment. I want you, the reader to understand: if you’re competing on props, on being “affordable,” on elaborate set design…well you’re competing on the WRONG things. You should be competing on skill, experience, customer service, and the ability to deliver exceptional results.

The photographers who survive? They know what they’re actually selling (spoiler: it’s not the props or the cute cookies, it’s an experience that only YOU can offer).

Reason #4: They Treat It Like a Hobby, Not a Business

Passion doesn’t pay the mortgage. Love of photography doesn’t replace broken equipment or cover your health insurance. Loving to take photos with your fancy camera won’t buy you a designer hand bag. Editing like “Rock Star Editing Photographer du Jour” won’t buy your talented kid a spot on travel baseball…

People get SO caught up in the IMAGE part of image making they forget the business part of small business. We already discussed business workshops being not-so-sexy. It is logic brained. You need to wrap your head around money, which in truth, is hard when we are wrapped in a culture that gives such mixed messaging regarding finances.

But you need to realize that business isn’t just numbers. Most of the failed photography businesses I’ve witnessed never had:

  • Outlined any clear policies for rescheduling, cancellations, payment
  • Actual business plans (even simple ones)
  • Any systems for client management
  • Understanding of profit margins, COGS, tax structures
  • Professional insurance, contracts, legal setup

What they had:

  • A camera
  • A Facebook page
  • Excitement about photography
  • Belief that passion should be enough

Excitement wears off. Passion is not enough. Neither are enough to manage a sustainable business. A camera is great but it’s just a tool. A Facebook page hardly screams professionalism. Literally anybody can have one for the most random of topics and they do, have one – and the random topics.

The photographers who survive? They acknowledge and are proud of being business owners first – they just happen to create art through photography. These photographers have systems, they understand their numbers, they treat their small photography business like a BUSINESS.

Reason #5: They Have No Differentiation

The marketplace is absolutely flooded with photographers and if you don’t differentiate in some way you will be lost amongst the fray.
Orange-y tints all over the photos. White Christmas looking outdoor mini session set ups. Or super blurred backgrounds where it looks like a subject is just placed on a backdrop with AI or some green screen edits (and not to knock blurred backgrounds – at all – but for awhile there everybody’s work was looking a little too similar…)

There are a lot of photographers in your local market and if every photographer in your area is doing the same thing aesthetically and charging similar prices and showing similar work and using the same locations: how is anyone, like, DIFFERENT?

And if your sole differentiator is “I’m more affordable!” that’s not a flex – that’s a death spiral.

The photographers who survive? They have clear positioning. Maybe they specialize in photographing neurodivergent children. Maybe they’re known for moody, dramatic edits when everyone else shoots bright and airy. Maybe they work exclusively with blended families. They’ve found their edge and they own it.

What Sustainable Businesses Do Differently

Let’s contrast the failure pattern with small business strategies that actually work:

They Price for Profit, Not Popularity 

They’ve used tools like the Time Cost Checklist. They know their real costs. They charge accordingly—even if (especially if) that means they’re not the cheapest option.

They Operate on Custom Photography Principles

Higher session fees. Lower volume. Product sales beyond all-inclusive digitals. Premium positioning in their market. They serve fewer clients exceptionally well rather than trying to be everything to everyone.

They Have Business Systems 

Consistency is achieve via policies and procedures. Client management systems will keep you organized to a greater degree. They run their small business like a business; not a hobby that occasionally makes money.

They Give Strategically, Not Constantly 

They support causes they care about with LIMITED, PLANNED charitable giving. They give NOT by saying “yes” to every free session request that comes their way. They understand that sustainable businesses can give MORE over time than broke businesses can give right now. They understand that part of being a business is also knowing your boundaries on what you can or cannot do.

They Have Clear Positioning 

They know who they serve, why they are positioned where they are to serve those clients and how they serve them differently than anyone other local photographer. They’re not trying to appeal to everyone – they’re serving their ideal client exceptionally well.

Your Choice: Become a Statistic or Build Something Sustainable

Because you’re reading this and you’ve made it this far it’s clear you’re ok with the love tough that’s being served. Frankly? You’re at a crossroads right now.

As we discussed earlier, one path leads to the predictable failure timeline: honeymoon phase → reality check → slow death or sudden quit. You’ll join the countless nameless, faceless photographers who post “closing my business” announcements on all their social media – or back out slowly easing themselves out of the limelight, sell their gear at a loss and move on with regret and probably debt.

The other path? It’s definitely harder upfront but leads somewhere sustainable. It requires:

The photographers who make it past year five? They make it not because they’re not more “talented” than you. And it isn’t because they’re “lucky”. And most definitely not because they’re in “better markets” (although I do agree to a degree that can play as a factor).

They just refused to allow their business trajectory to follow the predictable failure pattern.

Those photographers did the math. They priced their services and offerings appropriately. They built systems. They found their edge. They treated it like a business from day one.

So here’s my question: Which path are you on?

And more importantly: Are you willing to change course if you need to?

The big picture is this: photography businesses fail when photographers prioritize everything EXCEPT sustainable business practices. They fail when passion replaces profit planning. They fail when “just one more cheap session” becomes the business model.

But they succeed—they actually thrive—when photographers step back, see the pattern, and refuse to repeat it.

Your choice. Your business. Your future.

Make it count. Build your business, don’t just pursue a passion!

Resources to Help You Choose the Sustainable Path:

→ Honest assessment of where you actually stand (take the Business Reality Check Quiz)
→ Reading, understanding and applying the points from The Hard Realities of Running a Business article
→ Tracking your real costs and time (download the Time Cost Checklist)
→ Understanding what custom photography actually means (read: Why You Should Offer Custom Photography)
→ Take the Professional Photographer Self-Evaluation to identify your weak spots

The choice is 100% yours. But now you can’t say you didn’t see it coming.

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” This article was written by Marianne Drenthe of Marmalade Photography www.marmaladephotography.com and can be found at the Professional Child Photography site at www.professionalchildphotographer.com